Eve De Haan: Age, Net Worth, Career and Bio

Eve De Haan is a British-Mauritian neon artist aged approximately 33, working under the art name Half a Roast Chicken, whose installations have appeared at the Saatchi Gallery in London, the Museum of Neon Art in Los Angeles, and Canary Wharf. She is also known publicly as the wife of British rapper Tinie Tempah, with whom she has two daughters. Her estimated net worth remains undisclosed, though she comes from one of Britain’s most prominent business families.

Quick Bio

Who is Eve De Haan?

Eve De Haan is a British-Mauritian neon artist based in London, working under the name Half a Roast Chicken, whose light-based installations have been shown at major galleries across Europe and the United States.

Public awareness of Eve De Haan largely arrived through her marriage to Tinie Tempah, one of Britain’s most commercially successful rappers. However, her artistic practice predates that wider recognition and stands independently. De Haan creates neon text installations that explore language, positivity, and the relationship between technology and human connection, drawing a clear lineage from artists like Tracey Emin and Martin Creed.

De Haan belongs to an international all-female neon collective called She Bends, has collaborated with brands including Nike and Monica Vinader, and worked with the Tate Modern on a widely seen Instagram Live session. Her solo exhibition SELF HELP toured to Washington D.C. in 2023, hosted at 11:Eleven Gallery in Shaw, marking her first major US solo show.

Beyond her art career, De Haan is the granddaughter of Sir Roger De Haan, the former chairman of Saga plc, and a member of one of Kent’s most prominent philanthropic families. She has deliberately maintained a low public profile, focusing on her neon art practice and her family while avoiding the celebrity circuit that her husband inhabits.

Early Life and Background

Childhood and Family

Eve De Haan was born in London, England, around 1992, the daughter of Sir Roger De Haan and Marie-Lyvie Goder, a Mauritian-born woman, giving Eve her distinctive British-Mauritian heritage.

Her father, Sir Roger De Haan, ran Saga Group for two decades before selling the entire company in 2004 for £1.35 billion, according to public records. Her grandfather, Sidney De Haan, founded Saga, building it from a small Folkestone hotel operation into a nationally recognised brand serving the over-50s market. Growing up in this environment, De Haan was surrounded by a family culture that prized enterprise, discretion, and long-term thinking over public performance.

The De Haan family’s philanthropic work has centred on Folkestone, Kent, where the Roger De Haan Charitable Trust has funded arts, education, and urban regeneration projects. This context shaped Eve’s own orientation toward public benefit through creative work rather than accumulation of personal celebrity.

Education

Eve De Haan studied Theology at the University of Leeds, graduating in 2013, and her degree directly shaped her approach to language-based art.

De Haan has spoken publicly about how her theology degree gave her the framework for her practice. The study of sacred texts and the power of language to carry meaning across communities translated directly into her use of short, declarative neon phrases designed to resonate with diverse audiences. After graduating, she chose art over any traditional career path, mounting her first exhibition almost immediately.

Career Journey

Before Fame

Before establishing her neon art practice, De Haan worked briefly as a freelance writer and creative placement in London’s advertising sector, gaining an understanding of how brands communicate visually.

According to publicly available career records, she worked as a freelance writer at IdeasTap in 2015 and completed a creative placement at The Corner London, a marketing and advertising agency. These early experiences in commercial creative work gave her insight into audience attention and the economy of communication, themes that later became central to her neon installations.

How Eve De Haan Got Started

De Haan began making neon art shortly after graduating in 2013, inspired by a chance encounter with a neon-covered building during a trip to New York City.

She described the moment in a 2023 interview with Washington City Paper: seeing a hot pink building blazing with neon at an album launch stop her in her tracks. She returned to London, signed up for a neon-bending course, and never looked back. The pseudonym Half a Roast Chicken came from that same period, chosen deliberately to subvert expectations of what an artist’s name should sound like and to signal a refusal to take the art world too seriously.

Her early work appeared in London gallery spaces and attracted attention for its combination of playful language and skilled neon craftsmanship. The Artsy platform featured her work, describing her practice as probing “technology, youth culture, and relationships” through light and text.

Breakthrough Moment

De Haan’s profile rose significantly when she mounted a large-scale immersive neon exhibition at Canary Wharf in October 2021, titled Don’t Cry Over Spilt Milk, drawing thousands of visitors to a free public installation.

The exhibition transformed a section of Canary Wharf into what De Haan described as a “Wonder Ground,” bathed in pink and purple neon light. Presented in partnership with Creative Debuts, the show was accessible to the public at no cost, aligning with her stated belief that art should be inclusive rather than exclusive. Canary Wharf Group’s Director of Marketing publicly praised the installation, cementing De Haan’s reputation as a neon artist capable of working at genuine scale.

Around the same period, she was invited to lead an Instagram Live session for the Tate Modern, bringing her work to a national audience for the first time beyond the gallery circuit. Neon billboards carrying her work appeared across London in a Nike collaboration, giving her art a genuinely public presence in the capital.

Career Today

As of 2026, De Haan continues to practise neon art under the Half a Roast Chicken name, with her most recent documented solo exhibition, SELF HELP, running at 11:Eleven Gallery in Washington D.C. in January 2023.

She remains a member of the She Bends collective and maintains an active Instagram presence under @halfaroastchicken with approximately 33,000 followers. Her commercial collaborations have included Monica Vinader and Nike, and her work has been featured in publications covering both art and celebrity culture. A healing garden installation titled “It’s nicer to be nice” ran at 59 Terminus Road in Eastbourne, showing her expanding the format from gallery walls to outdoor public spaces.

British neon art has become one of the more searched niches within contemporary installation work, and De Haan sits among a small group of artists keeping that tradition active and commercially visible. Profiles of artists at similar career stages appear regularly across British creator features on xxbrits.uk.

Art Style and Niche

De Haan works exclusively in neon, producing text-based light installations that combine everyday language with philosophical or psychological themes, designed to be immediately accessible to non-specialist audiences.

Her signature approach takes short phrases, proverbs, or provocations and renders them in bold, glowing neon colours, usually hot pink, with clean sans-serif or handwritten-style letter forms. The brevity is intentional: she has spoken about the way social media has shortened audience attention spans, and neon gives her the perfect format to deliver impact in a single visual hit.

Thematically, her work has covered self-help culture (the SELF HELP series), positivity and resilience (Don’t Cry Over Spilt Milk), and the relationship between technology and human experience. Each series builds on her theology degree’s central insight: that the right phrase, in the right context, can shift how a person sees themselves and the world.

De Haan has also moved into merchandise and limited edition clothing under the Half a Roast Chicken brand, extending her practice beyond gallery walls into wearable and collectible formats. Neon prints and greeting cards are available through her official website.

Social Media Presence

De Haan maintains an Instagram account under @halfaroastchicken with approximately 33,000 followers, focused entirely on her art rather than personal content.

These figures were sourced from publicly available platform data in 2025. De Haan does not maintain a personal social media account separate from her art practice, a deliberate choice that keeps her public presence anchored in her work rather than her personal life.

Net Worth and Income Streams

Eve De Haan’s personal net worth has not been publicly confirmed; her independent income derives from original art sales, commercial brand collaborations, and merchandise, while her family background connects her to significant inherited wealth.

All figures are based on publicly available information. De Haan has not disclosed personal earnings, and no verified net worth figure has appeared in any credible publication as of 2026.

Physical Appearance

Height and Body Stats

Eve De Haan’s physical measurements have not been publicly confirmed in any interview or official source.

Public event photographs show De Haan with a slim build and dark hair, though no official measurements have appeared in any published interview or profile.

Personal Life

Relationships

Eve De Haan has been married to British rapper Tinie Tempah, whose legal name is Patrick Chukwuemeka Okogwu, since 4 July 2019, when the couple wed in a private Catholic ceremony in Cirencester in the Cotswolds.

The wedding was described by the officiating priest, Father Isidore, as deliberately intimate: “It wasn’t a secret marriage, they just wanted to keep it as private as possible and just for their family and friends,” he told reporters. The couple had already welcomed their first child together in 2018, a year before the ceremony.

Tinie Tempah rose to fame in 2010 with two UK number-one singles, Pass Out and Written in the Stars, and went on to win two Brit Awards in 2011. The pair are known for their rare but high-profile joint appearances, including events at the Cartier Queen’s Cup Polo Final and Wimbledon.

Family

De Haan and Tinie Tempah have two daughters together, born in 2018 and 2021. Both children’s names and identities have been kept entirely private by both parents.

Tinie has spoken publicly about fatherhood, telling Metro in 2019: “It’s just really the best thing in the world and gives you a whole new outlook and perspective on life and makes me very appreciative for where I am in my life.” De Haan’s own family background includes her father Sir Roger De Haan, her Mauritian-born mother Marie-Lyvie Goder, and her grandfather Sidney De Haan, the founder of Saga. The rapper has described his British-Mauritian wife as a grounding influence amid the pressures of global fame, though he has made those statements without naming her directly.

Her brother Jake De Haan has appeared alongside her at art events, including the Futurama exhibition by the TAX Collection at Imitate Modern in 2019, suggesting a close sibling relationship within a similarly private family unit.

Achievements and Milestones

De Haan’s most significant career achievement is her large-scale immersive neon installation at Canary Wharf in 2021, which brought her art to a mass public audience free of charge.

• Exhibited at The Saatchi Gallery, London, one of the UK’s most prominent contemporary art spaces.
• Exhibited at the Museum of Neon Art, Los Angeles, placing her work in an internationally recognised specialist institution.
• Hosted an Instagram Live for the Tate Modern, reaching a national audience for her neon art practice.
• Completed an immersive installation at Canary Wharf (October 2021), transforming a major public space into a free art experience.
• Collaborated with Nike on a billboard campaign, giving her text-based art a genuinely mainstream outdoor presence across London.
• Collaborated with Monica Vinader, a British fine jewellery brand, on a creative partnership.
• Mounted her first US solo exhibition, SELF HELP, at 11:Eleven Gallery in Washington D.C. in January 2023.
• Member of She Bends, an international all-female neon art collective.
• Featured in publications including It’s Nice That, celebrating her as part of a British contemporary art conversation.

Interesting Facts About Eve De Haan

The name Half a Roast Chicken was chosen specifically to reject the idea that an artist’s name must sound serious or prestigious, a deliberate act of self-definition on De Haan’s part.

• De Haan learned neon bending after attending an album launch in New York by chance, where every wall was covered in neon. She signed up for a course as soon as she returned to London.
• Her pseudonym Half a Roast Chicken was chosen to subvert the traditionally serious-sounding names in the contemporary art world and to signal a more playful, accessible approach to art-making.
• She comes from one of England’s most significant philanthropic families: her grandfather Sidney De Haan founded Saga, and her father Sir Roger De Haan sold it for £1.35 billion in 2004 and went on to buy Folkestone Harbour for £11 million to fund regeneration projects.
• De Haan is Catholic. The wedding ceremony was conducted by Father Isidore, who told reporters he had known Tinie Tempah since the rapper was a young boy and had been aware of the wedding plans for a full year before the event.
• Her Eastbourne installation, titled “It’s nicer to be nice,” was part of a healing garden concept she developed after studying the therapeutic role of outdoor spaces, showing an evolution from gallery-based neon work into community-oriented art environments.
• Despite being the wife of a rapper with multiple UK number-one singles, De Haan has never monetised her celebrity connection. Her Instagram remains entirely focused on her art, with no personal content, lifestyle posts, or brand partnerships unrelated to her practice. British artists from the same South London music scene, such as Mo Gilligan, often maintain far higher public profiles than De Haan does.